{"created":"2023-06-20T15:47:42.271152+00:00","id":118,"links":{},"metadata":{"_buckets":{"deposit":"09f30ee6-37c5-404f-b5b4-56c78759aed9"},"_deposit":{"created_by":3,"id":"118","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"118"},"status":"published"},"_oai":{"id":"oai:ohka.repo.nii.ac.jp:00000118","sets":["6:10:24"]},"author_link":["242","243"],"control_number":"118","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-03-16","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"56","bibliographicPageEnd":"243","bibliographicPageStart":"225","bibliographic_titles":[{"bibliographic_title":"名古屋短期大学研究紀要"},{"bibliographic_title":"Bulletin of Nagoya College","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"松竹映画「彩り河」（1984）は、霧プロが製作した最後の映画である。前年に公開された「迷走地図」（1983）におて、霧プロの双璧である原作者、松本清張と松竹側の筆頭、野村芳太郎との間に決定的亀裂が起こったこともあり、「彩り河」はその煽りを受けた失敗作とされてきた。しかし、ここには1980年代の松本清張の作風の変化と松竹映画との相性の悪さなど、小説を商業映画にしていくプロセスにおける構造的欠陥が「彩り河」自体で顕在化してきたからに他ならない。本論では、その観点から今までなされてこなかった原作「彩り河」の表現構造分析、映画製作の過程を検証することで、作品がメディアを越境する際に起きる諸相、清張自身の自作映像化への目論見などを炙り出す。","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋短期大学"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0286-777X","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鶴田, 武志","creatorNameLang":"ja"},{"creatorName":"ツルタ, タケシ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"TSURUTA,Takeshi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-06-16"}],"displaytype":"detail","filename":"N56_225-243.pdf","filesize":[{"value":"701.7 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"N56_225-243.pdf","url":"https://ohka.repo.nii.ac.jp/record/118/files/N56_225-243.pdf"},"version_id":"1170f9ce-54c5-43ae-b7fb-18cad826321e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"野村芳太郎","subitem_subject_scheme":"Other","subitem_subject_uri":"URL"},{"subitem_subject":"松竹映画","subitem_subject_scheme":"Other","subitem_subject_uri":"URL"},{"subitem_subject":"松本清張","subitem_subject_scheme":"Other","subitem_subject_uri":"URL"},{"subitem_subject":"三村晴彦","subitem_subject_scheme":"Other","subitem_subject_uri":"URL"},{"subitem_subject":"真田広之","subitem_subject_scheme":"Other","subitem_subject_uri":"URL"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"松本清張「彩り河」論：小説と映像の狭間に見る夢","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"松本清張「彩り河」論：小説と映像の狭間に見る夢","subitem_title_language":"ja"},{"subitem_title":"A Study of \"Irodorigawa\"","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["24"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-06-16"},"publish_date":"2018-06-16","publish_status":"0","recid":"118","relation_version_is_last":true,"title":["松本清張「彩り河」論：小説と映像の狭間に見る夢"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-11-23T08:00:38.012398+00:00"}